Remote Sensing.
Ice, Instruments, Imagination


2022–2023

Convenors
Lilian Kroth and Amelia Urry

Co-Organisers:
Charlotte Connelly (Curator, Polar Museum, Scott Polar Research Institute, Cambridge) and Dehlia Hannah (Fellow, Royal Danish Academy of Fine Arts, Copenhagen)

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Remote Sensing is an exploration of practices and technologies that work from a distance in the arts, sciences, and humanities. Taking a cue from the history of remote sensing in hard-to-reach places, we work between disciplines to develop methods for thinking and feeling our way across distance. How do we all—researchers, artists, historians, scientists—get in touch with remote subjects?

Scientific knowledge of climate and environment is largely mediated by sensors, whether instruments housed in airplanes and satellites or networked apparati embedded in an environment and accessed by researchers at computer terminals. Remote sensing, therefore, requires inhabiting a space of uncertainty and ambiguity. In this context, ice is often portrayed as exotic and fragile, an endangered element within a disordered climate. It is also a highly sensory material, eliciting strong, sometimes surprising, responses from the sensing body. Coming to terms with ice, then, requires some exploration of the nature and limits of first-hand experience, and the role of the field in producing knowledge, as well as the augmentation of these experiences  through instrumentation, imagination, and other sensory practices. By challenging the expectation that icy places must be experienced first and foremost, we will explore the aesthetic, conceptual, and scientific dimensions of the cryosphere as seen from a distance. When ‘going there’ is not an option, how can instruments, imagination, and embodied practices work to span the distance?

Workshop:

Remote sensing: exploring practices between the arts, sciences and humanities (workshop, University of Cambridge)
https://www.crassh.cam.ac.uk/blog/remote-sensing-exploring-practices-between-the-arts-sciences-and-humanities/
Related publications:

Kroth, Lilian, and Amelia Urry. ‘Edges of the Ice: Aerial Views and Frontier Imaginaries’. In The Aerial Turn. On the Conquest of the Air and Its Impact on the City, the Territory and the Planet, edited by Matteo Vegetti, 133–51. Mendrisio Academy Press, 2025. https://doi.org/10.48686/8kym-7z38.

Kroth, Lilian. ‘Remote Sensing and Feminist Critique: Reappropriations of Sensing across Distance’. Environment and Planning F 4, no. 1 (2025): 3–19. https://doi.org/10.1177/26349825241283838.

Kroth, Lilian. ‘Cryo-Criticality. Michel Serres and Modes of Thinking with Ice’. In Michel Serres and the Environmental Humanities, edited by Moritz Ingwersen, Stephanie Posthumus, and Beate Ochsner. London: Bloomsbury Academic, forthcoming 2026.

Kroth, Lilian, and Amelia Urry. ‘Remote Sensing as Method and Material’. Environment and Planning F, no. Special Issue: Remote Sensing as Method and Material (forthcoming 2026).