Kroth, Lilian. Alignments. Drawing as a Way of Thinking – A Response to the Work of Michel Serres. Berlin: KRAUTin Verlag, 2025.
Kroth, Lilian. ‘Draw Me a Limit, and I’ll Tell You a Structure. On the Process of Distinguishing Limit Formations’. In Drawing Across X Along X Between University Borders. Approaches to Drawing Research Across Disciplines, edited by Paulo Luís Almeida, Mário Bismarck, Maria Catarina Silva, and Pedro Alegria, 184–200. i2ADS Editions, 2025. https://doi.org/10.34626/i2ADS/2025-0001.
Kroth, Lilian. ‘Entropy and Entropic Differences in the Work of Michel Serres’. Theory, Culture & Society 41, no. 2 (2024): 21–35. https://doi.org/10.1177/02632764231187593.
Kroth, Lilian. ‘Entropy’s Critical Translations: Following Serres’s Path through the North-West-Passage’. Technophany, A Journal for Philosophy and Technology 2, no. 1 (November 2023): 1–19.https://doi.org/10.54195/technophany.14313.
Kroth, Lilian. ‘Infrastructure, Translation, and Metaphor. A Reflection on Infrastructure’s Epistemic Framework and Metaphorical Displacements with Michel Serres and Bruno Latour’. In Broken Relations: Infrastructure, Aesthetics, and Critique, edited by Martin Beck, Beatrice von Bismarck, Sabeth Buchmann, and Ilse Lafer, 45–65. Leipzig: Spector Books, 2022.
Kroth, Lilian. ‘Property and “Le Propre”: Limits, Law, and a New Naturalism with Michel Serres’. Environmental Ethics 46, no. 1 (2024): 71–89. https://doi.org/10.5840/enviroethics202422371.
Kroth, Lilian. ‘REDEFINING LIMITS: Entropy and a New Natural Contract.’ Angelaki 29, no. 4 (2024): 35–45. https://doi.org/10.1080/0969725X.2024.2382589.
Kroth, Lilian. ‘The Ocean in the Court. Navigating Metaphors of Law and Sea’. Angelaki 30, no. 1 (2025): 66–77. https://doi.org/10.1080/0969725X.2025.2454827.
Kroth, Lilian. ‘Critique Emerging from Marshes and Mushrooms: Parasitism and Desterilisation in Serres and Tsing’. In Parasitissimi, edited by Vincenzo Cuomo and Igor Pelgreffi, 93–115. Annuario Kaiak, no. 7. Pompei: Kaiak Edizioni, 2022.